Dark jungle
We shouldn't be sentimental. Life is a struggle for power and gratification, fuelled by the illusion of immortality. But time laps against us, eroding our existence until our consciousness is rubbed out of space. We are both the hounds and the hounded, chasing after the future as we are thrown into the past. Our slavery to futile endeavours, to whims and dreams, is merely the sight of a prisoner chalking up his years on the wall of his cell. But cheer up. If you look closer, you'll see the prisoner is actually Timmy Mallett and if he makes another sound, his cellmates will scoop out his face with a ladle. We all know David Van Day supports the death penalty. Kilroy, clearly excited by being sweaty and half-naked, came close the other day, but stopped at an air-stabbing, slightly desperate talking down, in the mode of an exasperated teacher. Sadly, Kilroy's left, because the main reason for watching this programme was to see how much of a tit he would make of himself. All that's left now is the simmering tension between Joe 'Swish' Swash and Esther Rantzen, and the general feelings of antipathy and annoyance rustling around the prison camp. I've always thought this show was about tempting fate. The Big Brother house isn't extreme or trying enough to drive their inmates truly insane. The Australian jungle, and the combination of heat, strange and inhospitable terrain, clashing egos and sadistic ritual abuse, is the perfect place to play with madness. It's like an indoor rainforest at the Ministry of Love, with two Geordie O'Briens dishing out the pain with implacable purpose.
The celebrities this year are the usual faces from semi-obscurity - the types who turn up in the Picture Round of a pub quiz. I'm not sure whether the presence of George 'Sulu' Takei or Esther Rantzen surprises me more - or weirds me out more, really. Martina Navratilova's an odd choice too - and there are two WAGs, seemingly only there to needle the older men. And what's Brian Paddick doing there? He was running for Mayoral office only recently. Thank God then for Van Day, who's like a crooning version of Simon Heffer. He and Mallet will hopefully ensure that the show will finally fulfill its potential and cement this series in glory, which is surely what the contestants all want. This first live-broadcast snuff film will be the televisual treat of the year, especially if it is set to the soundtrack of Last House on the Left, which I also recommend be blasted out over the camp day and night. Psychosis and rebellion would not be far away. If they want to revive their flagging and putrefying careers, and attempt to carve their names onto the tombstone of history, they must try a little harder to break new ground and produce more extreme forms of entertainment. Little Dorrit has been a major disappointment in these terms, and with Ross and Brand in TV Purgatory and Channel 4 becoming increasingly pompous, I'm sure ITV will be only too glad to push the boundaries.
The celebrities this year are the usual faces from semi-obscurity - the types who turn up in the Picture Round of a pub quiz. I'm not sure whether the presence of George 'Sulu' Takei or Esther Rantzen surprises me more - or weirds me out more, really. Martina Navratilova's an odd choice too - and there are two WAGs, seemingly only there to needle the older men. And what's Brian Paddick doing there? He was running for Mayoral office only recently. Thank God then for Van Day, who's like a crooning version of Simon Heffer. He and Mallet will hopefully ensure that the show will finally fulfill its potential and cement this series in glory, which is surely what the contestants all want. This first live-broadcast snuff film will be the televisual treat of the year, especially if it is set to the soundtrack of Last House on the Left, which I also recommend be blasted out over the camp day and night. Psychosis and rebellion would not be far away. If they want to revive their flagging and putrefying careers, and attempt to carve their names onto the tombstone of history, they must try a little harder to break new ground and produce more extreme forms of entertainment. Little Dorrit has been a major disappointment in these terms, and with Ross and Brand in TV Purgatory and Channel 4 becoming increasingly pompous, I'm sure ITV will be only too glad to push the boundaries.
